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ICONONZO

Department

Tolima Department, Colombia
ICONONZO-1

Flag of the city

The flag of the town is made up of three horizontal stripes of equal width: Yellow, white and green. Yellow means the richness of its soil and the vitality of its people. White symbolizes the peace and tranquility that reigns in the region. The green, the hope, the friendship and the freshness of its coffee plantations
ICONONZO-2

Seal of the city  

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Slogan of the city

The slogan “United by the greatness of Tolima” serves as a unifying and prideful expression for the entire department of Tolima in Colombia. Slogans for regions or departments are often crafted to reflect the collective spirit, identity, and aspirations of the local population. In this case, the slogan suggests a sense of unity and shared pride among the people of Tolima, emphasizing the greatness and unique qualities that define the department. The use of “United” conveys a spirit of togetherness and collaboration, while “greatness” implies a collective belief in the positive and distinctive attributes that make Tolima special.

History

Icononzo’s history unfolds with the inheritance of the Guamitos community by Don Vicente Reyes Daza in 1875. Colonial-era settlers, including Adrian Lords Escobar, Guillermo Quijano, and Alberto Williamson, established a burgeoning community along the road to Guamitos. By the decree of Ordinance No. 3 in 1888, Icononzo was officially instituted as “Corregimiento Icononzo.” The year 1892 witnessed the assembly of estates Canada and Scotland by Reyes Daza and Williamson, addressing labor challenges by constructing 17 new homes. Icononzo’s growth and prosperity prompted its elevation to municipality status on April 21, 1915, under Ordinance No. 1915, subsequently returning to the department of Tolima from the jurisdiction of Cundinamarca. The town gained historical significance during La Violencia, a turbulent civil period following the Bogotazo, with an iconic natural bridge over a deep canyon playing a role. The arch of this bridge, painted by Italian artist Gerolamo Fumagalli in the 19th century, stands as a testament to the town’s historical richness. In a unique international connection, the Atlantis commune, originally founded in Burtonport, Ireland, by Jenny James, relocated near Icononzo in 1989, adding a distinctive chapter to the town’s narrative. From its early roots to moments of historical importance and international ties, Icononzo’s story weaves a tapestry of evolution and cultural significance.

Geography of the city

Icononzo, situated in the captivating landscapes of Colombia, possesses geographical coordinates of 4°11′N latitude and 74°32′W longitude. The municipality spans a total area of 232 square kilometers, adorned with natural beauty that encompasses mountains, valleys, and diverse ecosystems. Nestled at an elevation of 1,304 meters (4,278 feet) above sea level, Icononzo is set against the scenic backdrop of the Andean region. As of the 2017 census, the population of Icononzo stood at 10,801 residents, distributed across its expansive territory. The population density, calculated at approximately 47 people per square kilometer, reflects a moderate concentration of inhabitants. Icononzo, with its coordinates, elevation, and vast expanse, paints a picture of a municipality embraced by the natural wonders of the Andes. The synthesis of geographic elements and human settlement defines the unique character of Icononzo, offering both residents and visitors an opportunity to immerse themselves in the diverse and picturesque surroundings of this Colombian town.

Population

Total – 10,801 (2017)

One photo representative of the city

Etymology

The name may have indigenous origins, possibly from a local Native American language spoken in the region before the arrival of the Spanish. In such cases, the name might refer to a geographical feature, a local tribe, or have another cultural significance.

What the city is known or famous for

Icononzo is renowned for its natural bridge over a deep canyon, a significant feature that played a role during the civil turmoil known as La Violencia following the Bogotazo. The arch of this natural bridge holds historical importance and was even painted by the Italian artist Gerolamo Fumagalli in the 19th century. The bridge serves as a tangible symbol of the town’s connection to historical events and the cultural and artistic contributions made by individuals like Fumagalli. Icononzo’s natural bridge, with its unique historical and artistic significance, stands as a testament to the town’s rich heritage.
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